New York (AP) — Even before the first note, there were two standing applause. One was when the chorus was submitted, and the other was when concertmaster Benjamin Bowman walked to coordinate the orchestra.
Approximately 90 minutes later, when conductor Yannick Neze-Segan relaxed his arms, 3,600 people who filled the seats of the Metropolitan Opera responded with a big applause of eight and a half minutes, widening to more than 200 performers. Brought a hint of smiles and tears. on stage.
For the first time in 550 days, the audience was in the auditorium of the Lincoln Performing Arts Center on Saturday night, attending the inspiring performance of Verdirectiem. This night there was an attack by er3dwwwdfcgrvszterrorist to commemorate the 20th anniversary of September 11, 2001, but it actually recorded more.
The company has played at home for the first time since the hundreds of thousands of deaths caused by the coronavirus pandemic (such as Met’s violist, Vincent Lionti, deputy conductor Joel Revzen, and choir member Antoine Hodge). bottom.
It also marked the first performance at home since the death of conductor James Levine. This is the towering figure of Mets in the last half century. He died at the age of 77 in March, more than three years after he was dismissed for sexual misconduct. Verdi is a specialist, and the last of his 2,552 Met performances was the company’s previous Verdirectiem in December 2017.
Levine’s successor as music director stood on the podium. The 46-year-old Nezesegan led a performance of much greater influence and delicacy than Levine’s last effort when command was hampered by Parkinson’s disease.
After a year of labor disputes culminating in a new contract, 90 Met Orchestras and 120 choruses, led by chorus master Donald Parumbo, received the enthusiastic applause of a live music-hungry audience for Levine. Shows the world-class status reached below.
Due to the pandemic, Met has canceled more than 275 performances, including the entire 2020-21 season and international tours. The gap was the longest since the company was founded in 1883.
The first performance since Mozart’s “Così fan tutte” on March 11, 2020, includes all four soloists: soprano Irin Perez, mezzo-soprano Michelde Young, tenor Matthew Polenzani, and bass baritone Eric Owens. It was wonderful.
Some of the audience congratulated long-unseen friends and acquaintances who accomplished it for 18 months. There was no speech from the stage. This was the second step in returning to Mets, following the second pair of Marlers outdoors at Damrosti Park in Lincoln Center last weekend.
Considering the pandemic, the audience appeared to be 100% masked. Vaccination proof was required to enter the country, and the line was lengthened.
The first two rows of the orchestra were covered, increasing the separation between performance and spectators.
The program was digital only. Met said the print version will be restored when the season begins.
Gregory Zuba’s bass drum thundered during “Dies irae”. Perez and Polenzani sang in ether. Nezesegan commanded extensively.
At the official opening night of the September 27th season, Nezesegan will direct Terence Blanchard’s “Fire Shut Up In My Bones.” This is the first work by a black composer in Mets’ 138-year history and another milepost in New York. Return to normal state in York City.
The opening night of the Metropolitan Museum of Art marks the beginning of New York’s social season and is a series of white and black ties that were largely skipped between 2020 and 21.
A series of Broadway shows will start next week. The New York Philharmonic will begin on September 17th at Alice Tully Hall, and David Geffen Hall will undergo a reconstruction that is expected to last for another year. Carnegie Hall will begin its fall season on October 6th, after which spring will fill.
On a night reminiscent of the deceased, Met made city life look very close to normal.
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